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预告|国际工作坊:思想第三世界—艺术、翻译与媒体

作者:   编辑:王思凡   来源:国美无边    阅读:   发表时间:2018-06-01

  

  主办:亚非拉文化艺术研究院

    视觉中国研究院

    地点:中国美术学院南山校区8号楼一楼会议室

    时间:2018年6月1日-6月2日

    Organizers:Bandung School,

    China Institute for Visual Studies

    Venue:Building 8 Conference Room,

    Nanshan Campus,

    China Academy of Art,Hangzhou

    Date:June 1-2,2018

   

  

    议程 Program

  6/1 (Day 1)

 

   13:30 开幕式 

  致辞:

  高士明(中国美术学院副院长)

  王智明(中国美术学院亚非拉文化艺术研究院/中研院欧美所研究员)

  13:30 Opening Ceremony

  Speakers: 

  Shiming Gao, China Academy of Art

  Chih-ming Wang, China Academy of Art

   14:00-15:30 主题演讲 

  当“非洲艺术”遇上“中非”关系:时空想象与新文本的追求

  主讲:茹丝・辛包(南非罗德斯大学教授)

  主持:程莹(北京大学亚非系助理教授)

  14:00-15:30 Keynote Speech 

  “When ‘African Art’ meets ‘China-Africa’: Space-Time Imaginaries and a Pursuit for New Scripts”

  Speaker: Professor Ruth Simbao, Rhodes University, South Africa

  Moderator: Ying Cheng, Peking University

   16:00-18:00 第一场:当代艺术与纪实摄影 

  主持:魏然(中国社会科学院外国文学所副研究员)

  讲者:

       许芳慈(新加坡国立大学社会系博士候选人):音韵潜意识里的冷战:第一岛链艺术家电影的性别记忆  

      麦尔坎・科瑞高(南非约翰内斯堡大学博士后研究员):南非华人摄影师俱乐部和海外华人摄影的想象共同体

       程莹(北京大学外国语学院亚非系助理教授):历史作为“边缘思考”的方式:威廉・肯特里奇与中国文化史的对话

       王硕(北京大学艺术学院博士候选人):“回收”作为转喻:南非当代艺术中的中国外销成品 

  

  16:00-18:00 Session One

  Contemporary Art and Documentary Photography

  Moderator: Wei Ran, China Academy of Social Sciences

  Speakers:

       Fang-tze Hsu, National University of Singapore

      “Cold War in Acoustic Unconscious: Gendered Memory of Artist Film along with the First Island Chain”

       Malcolm Corrigall, University of Johannesburg

      “The Chinese Camera Club of South Africa and imagined communities of overseas Chinese photography.”

       Ying Cheng, Peking University

      “History as ‘Peripheral Thinking’: William Kentridge’s Dialogue with China’s Cultural History”

       Shuo Wang, Peking University

      “‘Recycling’ as Transfiguration: Chinese Export Products In South African Contemporary Art” 

  6/2 (Day 2)

  10:00-12:00 第二场:文学翻译与思想引介

  主持:苏颖欣(亚际书院,新加坡/吉隆坡)

  讲者:

          魏然(中国社会科学院外国文学所副研究员):摆脱依附:中国与拉丁美洲之间的思想译介

          张伟劼(南京大学西语系讲师):加莱亚诺与略萨:理解拉丁美洲的两种路径

          陈韵(亚际书院西天中土计划负责人):西天中土:中印艺术与思想的翻译与对话

          唐晓琳(亚际书院,杭州):浅析1956年《中国美术家和墨西哥画家西盖罗斯座谈(记录)》

          10:00-12:00 Session Two

         Translation of Literature and Thoughts

  Moderator: Fang-tze Hsu, National University of Singapore

  Speakers:

  Ran Wei, China Academy of Social Sciences

 Beyond Dependency:Intellectual Translations between China and Latin America”

   Weijie Zhang, Nanjing University

  “Galeanoand Llosa: Two Approaches to Latin America”

   Yun Chen, West Heavens Project 

 West Heavens: Translation and Conversation between Indian and Chinese Art and Thought”

  Xiaolin Tang, Inter-Asia School (Hangzhou) 

  “Analysis of the ‘Record of the Forum among Chinese Artists and the Mexican Artist David Siqueiros’ in 1956”  

 

  14:00-16:00 第三场:媒体与社会

  主持:陈韵(亚际书院西天中土计划负责人)

  讲者:

  苏颖欣(亚际书院,新加坡/吉隆坡):中国性的转译:第三世界的马华主体

  梁捷(上海财经大学):第三世界的地理距离与心理距离

  林怡廷(《天下杂志,台北):“南洋”到“东南亚”的华文报导实践:从华人共同体到现代公民主义的凝视方式

  王智明(中国美术学院亚非拉文化艺术研究院/中研院欧美所):今日中国的非洲:初步观察  

  14:00-16:00 Session Three

  The Media and the Society

  Moderator: Yun Chen (West Heavens Project)

  Speakers:

  Yi-ting LinCommonwealth Magazine (Taipei)

  Journalism in practice - from ‘Nanyang’ to ‘Southeast Asia’: How to change perspective from the ‘Sinophone communities’ to ‘Modern Civicism’ ”

  Ying Xin Show, Inter-Asia School (Singapore/Kuala Lumper)

  “Translation of Chineseness: Chinese Malaysian Subjectivity in theThird World”

  Jie Liang, Shanghai University of Finance and Economics

  “The Geographical Distance and Psychological Distance of the Third World”

  Chih-ming Wang, China Academy of Art/Academia Sinica

  “China’s Africa Today: Preliminary Observations” 

  16:30-17:30 圆桌讨论 Final Roundtable   

  

 

  作为政治想象的第三世界至今已存在六十多年了。最初由法国历史学家阿尔弗雷德·索维(Alfred Sauvy)所提出,第三世界是对应着法国的“第三政体”而来的,以说明其人民受压迫、要反抗的政治性格。第三世界是1950年代不结盟运动的代称,并在1955年的万隆会议上表述了追求自主与解放的精神,而达到高峰,但它很快在1970年代成为政治经济学家口中的未开发国家。尽管第三世界一词仍然象征着弱小民族团结与追求自主的精神,但在1989年后由资本主义全球化所主导的国际秩序中,它更处边缘,因为第三世界国家都想发展经济,摆脱第三世界的污名。然而,中国的崛起挑战了第三世界未开发的迷思,也透过“一带一路”倡议等作为,为第三世界的想象与反思创造了新的契机。 

  本次的国际工作坊就想紧紧扣住中国崛起的契机来追问:我们今天是如何思想第三世界的,如此的思想方式又意味着什么?不同于地缘政治将第三世界视为结盟的思考,或是资本主义将之视为市场的逻辑,本次工作坊更想强调思想第三世界的时间性与媒介,亦即第三世界是如何,以及何时,出现在我们的知识与感觉系统里,又是透过什么样的文字与视觉向我们现身?我们相信,艺术、文学以及媒体在形塑第三世界的意义与形象上,扮演了重要的角色,而现在正是我们纪录与反思这些意义与形象的时候,特别是以一种追索其现形的历史的方式。我们希望,这样一种翻译的视角,即翻译是一种跨文化、跨媒介的操演,可以赋予我们更多的批判工具,在这个历史巨变的时刻,来拆解与重构第三世界。这么做不只可以深化我们对于自身与世界的理解,也可以揭示形塑我们政治无意识的艺术、文学与社会机制。 

  本次工作坊是由中国美术学院的亚非拉文化艺术研究院与视觉中国研究院组织承办。成立于2016年12月的亚非拉文化艺术研究院,是一个想要促成与深化亚非拉比较与关系的知识平台,而艺术与思想正是其主要的关切。透过这次工作坊,我们不只希望打响亚非拉文化艺术研究院的名号,更期待邀集关切第三世界的年轻学者、艺术家和社会行动者──透过艺术、翻译和媒体的视角──来构思一套问题意识,挑战形塑第三世界及其多重形构的知识地缘政治学,因为正是这套知识地缘政治学使得第三世界,在今天,成为一个中断的计划以及未及现实的承诺。如何恢复这个计划,完成这个承诺正是我们的承担。

  

  A political imagination designated by French historian Alfred Sauvy in reference to the “third estate” in French history, the Third World has been in existence for more than six decades. It rose as the nonalignment movement and shone on the Bandung Conference of 1955 as a spirit of autonomy and liberation, but quickly faltered in the 1970s and recoded by political economists of the West to signify underdevelopment. While remaining a spirit of solidarity and autonomy, it was further pushed away by the forces of capitalist globalization after 1989, making each Third World country striving to rid itself of the Third World label. The rise of China, however, challenged the myth of Third World underdevelopment and created a new momentum—through the Belt and Road initiatives—for thinking about the Third World today.  

  

  This international workshop seeks to address this critical moment of China’s rise by asking how and what it means to think about the Third World today. Despite the geopolitical thinking of Third World alliance and the capitalist logic of Third World market, our emphasis falls on the question of temporality and media with which we think about the Third World: i.e, how and when did the Third World as an idea emerged on our intellectual and sensorial horizons, and with what visual and textual representations did the Third World come to our mind? We believe that art, literature, and the media play a huge role in constructing the meanings and images of the Third World in our minds, and it is time for us to take stock of and reflect on them through the histories of their appearance. It is our hope that the perspective of translation as a transcultural, transmedial exercise can better equip us with a set of critical tool to unpack and remake the Third World in this changing times, not only to deepen our understanding of the self and the world, but also to unveil the artistic, literary, and social apparati that have formed and shaped our political unconscious. 

  

  This international workshop is sponsored by the Institute in Asian, African, and Latin American Culture and Art at the China Academy of Art in Hangzhou, a new intellectual platform founded in December 2016 with the aims of facilitating and advancing tri-continental comparison and relations through the lenses of art and thoughts. Through this workshop, we hope to establish the presence of our new Institute and to bring together young scholars, artists, and activists working in the fields of Third World studies, and to generate a set of problematics—through the lens of art, translation, and media—to challenge the geopoltiics of knowledge that has made the Third World and its multiple configurations at once an aborted project and a utopian promise for China and the world today. How to revive the project and fulfill the promise is our mission today.

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